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They’re not moaning and if they’re feeling the pressure, it only resulted in another uplifting collection that combined grandly romantic gestures with progressing and refining what Stefan Cooke is known for. The importance of primary research is drilled into Central Saint Martins students—one reason that they visited “a lot of costume archives, and we liked the idea of replicating something we saw from the 15th century but with only 20 pence to do it.” So they printed scans of antique pieces onto canvas and cinched the fronts of jackets with cross-laced corseting. That was the start of putting together a coherently delightful top-to-toe look that tethered delicacy to a brilliant color sense: pink, lemon, red. The other part of the energy came from keeping eyes open on their first trip to New York Matchesfashion.com, early champions, took them to meet the press a few weeks ago. London kids looking at New York kids in the streets, they were impressed by the precise way guys in the city will pair sweatpants with something more flamboyant. It was plain to see that the hybrid jersey-trousers they came up with will be immediately leaped on; so too, everything they took forward with their “negative space” lattice-effect argyle sweaters. Being able to soar creatively while remaining grounded and in touch with reality is probably as much a mark of exceptional talent among young actors as it is with fashion designers. Either way, it’s about making a human connection. With Stefan Cooke and Jake Burt, it comes down to this: “We asked ourselves, what would we want to wear? We want to evolve this brand so it’s accessible to a lot of people.” In fact, at the end of the answer above, I point out that one can try to define wealth as one total number, and have net production of wealth be added to the total wealth as one number. Or one can break up wealth into different categories and measure wealth by an accounting of all the different categories of wealth. If one looked for a single number defining the value of wealth, and if one decided to measure all wealth in nominal terms, the value of the money that is the preservation of the investment money would have the same value as it did when put into spending as investment.
In keeping with the festive, uplifting mood embedded in the house of McCartney, both collections were presented tonight during Milan Men’s opening day with a party in the enchanting garden of an old Milanese palazzo. But the event had a provocative edge: Models mingled with a collective of young activists performing a peaceful protest and chanting slogans on climate change awareness. Ribbons made of upcycled archival materials were flowing in the wind and could be personalized with messages for loved ones; they’ll be donated to a local design school to make sure that there’ll be zero waste. McCartney was radiant: “If you want to buy something these days, buy something that isn’t killing your planet!” she said. “If you have a fashion platform, if you have a voice, take responsibility and do something more than just a pretty color or a pretty hemline right now. It’s time to do something.” It’s simply not possible to disagree with her call to action. Together they came up with the round pattern of a sun, which became Resort’s distinctive print: “It’s the circular weather, it’s the clouds, it’s the rain; the sun is breathing, blowing wind,” said McCartney. “But it’s also a little bit trippy, a little bit ’90s, a sort of dance-trance vibe.” Stefan Cooke and his partner Jake Burt have been so applauded since they stepped onto the fashion stage that they’ve had a funny sensation that they’re still role-playing the part of what “designers” are meant to be. The spotlight trained on what Cooke and Burt do is well deserved: the believable young masculinity their collections portray, its basis in inventing techniques that recast the structure of familiar garments like the wonder they bring to the humble argyle sweater and their playful knack for trompe l’oeil prints. All this, and a precocious talent for creating stuff that is so clearly wearable. So, anyway: The wunderkind double act thought about backstage theater and costume as a theme for the first stand-alone Stefan Cooke show. “Really, it goes back to costume, to acting to us learning how to be someone over the last 15 months,” said Burt. “It’s like us, really, people think you’re a certain way,” Cooke added. “And the reality is, we’re still living in a flat with two other graduates.” Total wealth, a measure of wealth, and net production could be measured any way you want, in “nominal” or “real” terms. Since wealth is measured on a different axis, even though savings that is the preservation of investment is a nominal measure, the measure of wealth doesn’t have to be.
The Australian pearls strung around the necks of Justin O’Shea’s models were absolute whoppers but nothing compared to the size of the balls required to wear this collection. With SSS World Corp, O’Shea is presenting a wardrobe for a specific slice of masculinity of which he is 100 percent a member. Totally (apparently) self-confident, highly body-conscious, and at least in gesture hedonistically inclined, it’s probably a great place to be. It also helps if you have a beard. Some of O’Shea’s models were so O’Shea-like you momentarily suspected they were O’Shea. Any guests enjoying an afternoon moment in the suites above us would have been startled by the “Ace of Spades”–topped soundtrack that rattled around the courtyard garden of the Ritz as the guys rolled across the grass, all barrel-chested braggadocio, in the opening section of suiting. Cut in purposefully early ’80s tones of mink and brown and sometimes patterned by jacquard or enhanced by piping or sequin at the lapel, these were cut high-skirted to display the result of all those squat reps and protein shakes and featured a flared pant shape. Once our bad boys had finished their sartorial strut, they retired to the boudoir in a peignoir featuring Motörhead’s longhorn Satanic skull logo (a collab piece) before re-emerging in a tracksuit or series of short-short and cabana jacket ensembles teamed with the same pimpily color-clashed loafer and hosiery combos from the first time around. One of these featured a very cheeky license-plate print whose registrations listed some of the inspirations O’Shea had turned to when building this collection, including American Gigolo–era Giorgio Armani. Come the close and O’Sheathe real O’Shea at last emerged, on Harley-Davidson’s long-developed first ever all-electric motorcycle, the LiveWire, which looked pretty fantastic. Speaking pre-show about Motörhead’s inimitable lead singer Lemmy, O’Shea had said: “His ideology was very much in line with that of Triple S. It’s like ‘I’m just going to whatever I want and whatever happens is fine and just that’s the way it’s going to be.’ And that’s a great idea of life.” Not wrong. If one decided to measure all wealth on the wealth axis in “real” terms, then the “inflation adjusted value” or “buying power” or “real value” of the savings that is the preservation of investment would be different than when it was first spent. It would still be the same money, in the same amount. but that same money would be worth less in “real” terms at the end of the given time period, than at the beginning, if prices changed over that period, i.e., if there was inflation. This is because inflation is actually a measure of what really did happen, not what the system of two independent variables allows to be described. They take a known amount of spending and total wealth sold at one point in time, and compare it to a known amount of spending and known about of total wealth sold, at another point in time. Notice that is measuring only wealth sold, not all wealth. That is where inflation fits in.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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